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The Five Buddha Families
By Irini Rockwell “I always seem to be fending him off,” Joan blurts out. She’s hosting a dinner party while her husband out of town and she’s aware of how little affection she shows him, while he is affectionate to a fault. Two of her guests, Andrea and Bill, laugh and then exchange quick glances. They’re in a new relationship and are beginning to see where they get stuck. Andrea wants to engage in an open, unobstructed way; Bill prefers quiet time alone. Michael, the other guest, still wounded from a divorce, launches into a speech about the women in his relationships. “I always seem to fall for emotional women who can’t communicate well,” he says. “I like working with strong women who think clearly and get the job done,” he adds.
We don’t know the people at this dinner table, but we can learn a lot about each of them from the different kinds of energy they display. All of us express a unique mix of energy through our attitudes, emotions, decisions and actions. Although we often think of the world in terms of material existence, it is energy that’s the vibrant aspect of being: the quality, texture, ambiance or tone of people and environments.
Of the many methods for understanding and working with the energies that pervade our existence, one of the most profound is the “five buddha families,” an ancient Buddhist system of understanding enlightened mind and its various aspects. The five buddha family framework is an instrumental component in Buddhist tantra, a path of working with and transmuting mind energy.
The buddha families are traditionally displayed as the mandala of the five tathagatas, or buddhas. The mandala (from the Sanskrit for “circle”) aids meditators in understanding how different aspects of existence operate together in an integrated whole. Each of the buddhas in the mandala embodies one of the five different aspects of enlightenment. However, these manifest themselves not only as enlightened energies but also as neurotic states of mind. The buddha families therefore present us with a complete picture of both the sacred world of enlightened mind and the neurotic world of ego-centered existence. We see that they are indeed the same thing; the path of awakening is what makes the difference.
Traditionally, at the center of the mandala is Vairochana, lord of the buddha family, who is white and represents the wisdom of all-encompassing space and its opposite, the fundamental ignorance that is the source of cyclic existence (samsara). The dullness of ignorance is transmuted to a vast space that accommodates anything and everything.
In the east of the mandala is Akshobya, lord of the vajra family, who is blue and represents mirror-like wisdom and its opposite, aggression. The overwhelming directness of aggression is transmuted into the quality of a mirror, clearly reflecting all phenomena. Vajra is associated with the element water, with winter, and with sharpness and textures.
In the south of the mandala is Ratnasambhava, buddha of the ratna family, who is yellow and represents the wisdom of equanimity and its opposite, pride. The fulsomeness of pride is transmuted into the quality of including all phenomena as elements in the rich display. Ratna is associated with the element earth, with autumn, with fertility and depth.
In the west of the mandala is Amitabha, buddha of the padma family, who is red and represents discriminating-awareness wisdom and its opposite, passion or grasping. The intense desire of passion is transmuted into an attention to the fine qualities of each and every detail. Padma is associated with the element fire, with spring, with façade and color.
In the north of the mandala is Amogasiddhi, buddha of the karma family, who is green and represents all-accomplishing wisdom and its opposite, jealousy or paranoia. The arrow-like pointedness of jealousy is transmuted into efficient action. Karma is associated with the element wind, with summer, with growing and completing.
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